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ComeOnEileen.chopro
Download{t:Come On Eileen} {st:Dexy's Midnight Runners} #Actually written by Rowland, Patterson and Adams (voice, trombone #and banjo). Transcribed by MH from the 1982 album "Too-Rye-Ay". # #* the version released as a single in the UK was preceded # by a few bars(measures) of a fiddle playing a traditional tune, # "Oh Believe Me If All Those Endearing Young Charms" #** round brackets () denote BV (backing vocals) #*** during instrumental sections, bar divisions are marked | and # the main instrument is indicated in square brackets. {c:First 16 bars are instrumental:} |F C |F Bb |Bb F |C | x2 (fiddle) |C |Em |F |C G | x2 (fiddle and banjo) [C]Poor old Johnny R[Em]ay Sounded [F]sad upon the radio moved a [C]million hearts in [G]mono [C] Our mothers cried [F]Sang along, [F]who'd blame them[C][G] [C]You're grown (you're grown up), [Em]so grown (so grown up) [F]Now I must say more than ever [C] [G] (come on Eileen) [C]Toora-loora-[Em]toora-loo-rye-[F]aye and we can [C]sing just like our [G]fathers {c:Chorus} [D]Come on Eileen oh, I [F#m]swear (well he means) at this [Em]moment you mean [G]everyth[A]ing With [D]you in that dress, my [F#m]thoughts (I confess) verge on [Em]dirty, Ah come [G]on Eil[A]een |A |A | (banjo) |C |Em |F |C G | (fiddle and banjo) [C]These people round [Em]here wear beaten-[F]down eyes sunk in smoke-dried faces, so res[C]igned to what their f[G]ate is but [C]not us (no never) no [Em]not us (no never) [F]we are far too young and clever [C] [G] remember [C]Toora-loora-[Em]toora-loo-rye-[F]aye Eileen I'll [C]hum this tune for [G]ever {np} [D]Come on Eileen, oh I [F#m]swear (well he means) Ah come [Em]on let's take off [G]everyt[A]hing That [D]pretty red dress, Ei[F#m]leen (tell him yes) Ah come [Em]on let's, ah come [G]on Ei[A]leen That [D]pretty red dress, Ei[F#m]leen (tell him yes) Ah come [Em]on let's, ah come [G]on Eil[A]een [D]Please... {c:Half-speed, getting gradually faster} [D] (Come on Eileen too-loo rye-[F#m]aye come on) {c:Backing vocals sing "Eileen too-loo rye-ay toora toora-too-loora" repeatedly} [G]Now you have grown, now you have shown,[D] oh Eil[A]een [D]Come on Eileen, these things they are [F#m]real and I know how you feel [G]Now I must say more than ever [D] things round here have [A]changed [D]Too-ra loo-ra [F#m]too-ra loo-rye-[G]aye[D][A]